Titre:
2084 / Chris Marker
Auteur:Marker, Chris, 1921-2012 Publication en relation:
In : Revolver : Zeitschrift für Film. - Frankfurt. - 27(2012), p. 117-125
Document hôte:Revolver : Zeitschrift für Film No RERO:
R008769421
Titre:
Coréennes / Chris Marker
Auteur:Marker, Chris, 1921-2012 Editeur:
[USA] : Wexner Center Store ;
Date:
2009
Collation:
31 p. ; 19 cm
Note:
Translation by : Brian Holmes
No RERO:
R008674146
Titre:
Coréennes / Chris Marker
Auteur:Marker, Chris, 1921-2012 Editeur:
[Corée] : Noonbit Publishing
Date:
2008
Collation:
150 p. : ill. ; 20x26 cm
Note:
Le titre est en français, mais l'ouvrage est en coréen
No RERO:
R008674240
Titre:
2084 / Chris Marker
Auteur:Marker, Chris, 1921-2012 Publication en relation:
In : Revolver : Zeitschrift für Film. - Frankfurt. - 27(2012), p. 117-125
Document hôte:Revolver : Zeitschrift für Film No RERO:
R008769421
Titre:
Commentaires / Chris Marker
Auteur:Marker, Chris, 1921-2012 Editeur:
[Paris] : Ed. du Seuil
Date:
1961-1967
Collation:
2 vol. (169, 168 p.): ill. ; 21 cm
Note:
Le vol. 1 contient: Les statues meurent aussi (1953) ; Dimanche à Pékin (1955) ; Lettre de Sibérie (1957) ; L'Amérique rêve (1959) ; Description d'un combat (1960) ; Cuba si (1961). Le vol. 2 contient: Le mystère Koumiko (1965) ; Soy Mexico (1965) ; Si j'avais quatre dromadaires (1966)
- Textes des films de l'auteur
No RERO:
R003537604
Titre:
Orphée / Chris Marker
Auteur:Marker, Chris, 1921-2012 Publication en relation:
In : Esprit. - Paris. - 173(1950), pp. 694-701
Document hôte:Esprit No RERO:
R008683325
Titre:
Owls at noon prelude : the hollow men / Chris Marker, Adrian Martin and Raymond Bellour
Auteur:Marker, Chris, 1921-2012 Contributeur:Martin, Adrian; Bellour, Raymond Editeur:
Brisbane : Institute of Modern Art
Date:
2008
Collation:
105 p. : ill. ; 22 p.
Description:
Born in 1921, French filmmaker Chris Marker has been making films since the 1950s and is a pioneer of the film-essay. His approach developed out of his early experiences making travel books, combining images with texts. This exhibition, organised by the Institute of Modern Art, Brisbane, poignantly juxtaposes his major recent video installation Owls at Noon Prelude: The Hollow Men (2005) and his classic sci-fi time travel film La Jetee (1962). Owls at Noon Prelude was commissioned by the Museum of Modern Art, New York for its reopening in 2004. This eight-screen video installation - the first part of an envisaged history of the 20th century - was inspired by a T.S. Eliot poem reflecting on Europe as a wasteland following World War I. La Jetee is a story of time-travel, memory and impossible love, which has inspired many other films, including Terry Gilliam's 1995 feature Twelve Monkeys. It also concerns the aftermath of war, this time an imagined Third World War. An exhibition from the Institute of Modern Art, Brisbane.
Identifiant:
9781875792610 (ISBN) No RERO:
R008677610