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    Blaubart-Märchen: Emotionen durch Bilder

    Uther, Hans-Jörg
    Fabula, 2012, Vol.53(3), pp.237-257 [Revue évaluée par les pairs]
    Walter de Gruyter GmbH
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    Titre: Blaubart-Märchen: Emotionen durch Bilder
    Auteur: Uther, Hans-Jörg
    Editeur: De Gruyter
    Sujet: French Literature ; Literary Criticism ; Folklore ; Discourse Analysis;
    Description: Im Mittelpunkt des vorliegenden Beitrags stehen zeitbedingte Wandlungen in bildlichen Darstellungen des Blaubart -Märchens und seiner Figuren in den Medien vom späten 17. Jahrhundert bis zur Gegenwart. Die Analyse des historischen Bildmaterials anhand von über 300 Bildzeugnissen macht deutlich, daß Illustrationen zur Blutkammer-Szene ebenso wie Szenen, die die hilflose Frau demütig in der Gewalt des Frauenmörders zeigen, eher der Zeit bis ca. 1850 zuzurechnen sind, während solches Geschehen danach nur sublimiert dargestellt ist und die Darstellung der Schlüsselszene dominiert, was auf einen Wandel pädagogischer Leitbilder schließen läßt.
    This article deals with the changes of graphical representations of the tale and its figures from the late seventeenth century up to the present. Analysis of the historic pictorial material on a basis of more than 300 items reveals that illustrations concerning the episode in the blood chamber as well as of scenes showing the helpless woman at the mercy of the ripper are rather characteristic of the period up to about 1850. After that time the cruel events are sublimated and the representation of Bluebeard handing over the key to his wife dominates, suggesting a change in pedagogical concepts.
    Le présent article traite des modifications conditionnées par le temps dans les représentations figurées du conte de et ses personnages, de la fin du XVIIème siècle jusqu’à nos jours. L’analyse qui se base sur plus de 300 images révèle que les illustrations montrant l’épisode de la chambre sanglante aussi bien que les scènes où la femme se trouve sans défense à la merci de l’assassin sont plutôt caractéristiques de l’époque jusqu’à 1850 environ. Plus tard, les événements cruels sont sublimés et les représentations de la Barbe Bleue confiant la clé à sa femme dominent ce qui est indicatif des conceptions pédagogiques changeantes.
    Fait partie de: Fabula, 2012, Vol.53(3), pp.237-257
    Identifiant: 0014-6242 (ISSN); 1613-0464 (E-ISSN); 10.1515/fabula-2012-0018 (DOI)

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    CLASSIFYING TALES: REMARKS TO INDEXES AND SYSTEMS OF ORDERING

    Uther, Hans-Jörg
    Narodna umjetnost, 2009, Vol.46(1), pp.15-32 [Revue évaluée par les pairs]
    Central and Eastern European Online Library (C.E.E.O.L.)
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    Titre: CLASSIFYING TALES: REMARKS TO INDEXES AND SYSTEMS OF ORDERING
    Auteur: Uther, Hans-Jörg
    Sujet: Anthropology ; Classification ; Documentation ; Distributiondiffusion of Folktales ; Folktale ; Historicgeographic Method ; Motif Catalogue ; Tale Type ; Type Catalogue ; Anthropology
    Description: The paper deals with the historical and recent situation in classifying international folk tales and gives an overview of new developments, for example new catalogs for types and motifs. From the outset up to date, folk narrative researchers have been creating systems for ordering large masses of tale material according to genres, actors and incidents. The concentration on oral traditions, however, has largely neglected the important literary history of many tales. It was necessary to include such information into the new international catalog ATU (Aarne/Thompson/Uther). The concept of tale type and here must be understood to be flexible. It is not a constant unit of measure or a way to refer to lifeless material from the past. Instead, as part of a greater dynamic, it is adaptable, and can be integrated into new thematic compositions and media. Some former catalog makers also had used the system of numbers for expansion beyond number 2400 in order to describe other genres such...
    Fait partie de: Narodna umjetnost, 2009, Vol.46(1), pp.15-32
    Identifiant: 0547-2504 (ISSN); 1848-865X (E-ISSN)

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    The Fox in World Literature: Reflections on a "Fictional Animal"

    Uther, Hans-Jörg
    Asian Folklore Studies, 2006, Vol.65(2), pp.133-160 [Revue évaluée par les pairs]

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    Fairy Tales as a Forerunner of European Children's Literature: Cross-Border Fairy Tale Materials and Fairy Tale Motifs

    Uther, Hans-Jörg
    Narodna umjetnost, 2001, Vol.38(1), pp.121-133 [Revue évaluée par les pairs]
    Central and Eastern European Online Library (C.E.E.O.L.)
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    Titre: Fairy Tales as a Forerunner of European Children's Literature: Cross-Border Fairy Tale Materials and Fairy Tale Motifs
    Auteur: Uther, Hans-Jörg
    Sujet: Cultural Essay ; Political Essay ; Societal Essay ; Oral Literature ; Children'S Literature ; Fairy Tales ; Folktales ; Grimm ; Popular Culture ; Anthropology
    Description: Due to the Romantic movement there was a growing attention for recording oral tradition. Pedagogues advocating an independent literature for children recognized the importance of folktales especially for the mediation of bourgeois virtues and social norms. Influenced by the stilistic model of the Brother Grimm's Household Tales and as a result of the propagation of national literatures, a broad range of application within the printed and pictorial media developed in European countries. Folktales as a products of the mass culture possess multiple applicability. This paper deals with different spheres of application and outlines the functions of folktales as popular reading material.
    Fait partie de: Narodna umjetnost, 2001, Vol.38(1), pp.121-133
    Identifiant: 0547-2504 (ISSN); 1848-865X (E-ISSN)